The Incredibly True Adventure of 2 Girls in Love

A love story between two young women in high school of different social and economic backgrounds who find themselves going through all the typical struggles of a new romance. Released in 1995, it is a great example of the social struggles lesbians go through.

Review by Sarah Warn on afterellen.com

Randy Dean (played by Laurel Holloman), a white girl from the wrong side of the tracks who lives with her lesbian aunt and her aunt’s girlfriend after her fanatically religious mother left her to work with Operation Rescue full-time. Randy is the school outcast, laughed at and called a “dyke” by the other kids because she looks kind of butch and “acts like a man”.

The girl she has a crush on is Evie (Nicole Ari Parker), a feminine, college-bound upper-class black girl who has lived alone with her mother (a developing-nations consultant) since her father divorced her mother when Evie was four to marry a white woman.

The two girls go to the same school, but move in completely different circles: Evie hangs with the popular girls, and Randy with her geeky gay friend Frank. They meet late in their senior year when Evie has car trouble and asks for help at the gas station where Randy works, then later, end up in detention together. The girls form a friendship outside of school in which Evie introduces Randy to the wonder of opera and Walt Whitman, and Randy introduces Evie to her unique family and the wonders of being a social outcast.

 Click here for full review.

Malcolm X

Whenever someone doesn't quite understand the world as I do or if they don't quite get what they're saying is problematic, I always think of this quote by Malcolm X:

“Don't be in a hurry to condemn because he doesn't do what you do or think as you think or as fast. There was a time when you didn't know what you know today.”

"If these Walls Could Talk 2" on Lesbianism

Review by Sarah Warn on afterellen.com

"If These Walls Could Talk 2 (2000) focuses on lesbian lives in three different eras/segments over a forty year period, framed within a single house. This is a thoughtful, issue-driven drama about some of the challenges lesbians face, and the change in cultural attitudes over time towards women who love women.

The first piece is set in 1961 and it opens at a screening of The Children’s Hour, a movie that was at that time extremely provocative and controversial because of the suggestion of lesbianism as the central theme. We see two older women, watching the movie together with tears streaming down their faces.

The viewer has to make the leap that if these women are at least sixty years old, they were born around the turn of the century and hit adulthood, possibly coming out to themselves and a select few other women, in the twenties. So they have been probably been exposed to social scorn and ridicule their entire lives.

This segment sets up that feeling of contemporary uneasiness between the couple and the society around them, but doesn’t fill in much of a backstory for the women.

Tragedy strikes when one of the women, Abby (Marian Seldes) is injured and her long time partner Edith (Vanessa Redgrave) cannot see her in the hospital. This piece is really about silence, and how Edith must remain silent about her relationship to Abigail, and then mourn silently. Much of the subject matter in 1961 is very timely to the recent focus on same sex marriage, since it deals not just with the emotional loss of a partner, but the rights lost because these women couldn’t claim each other as legal spouses.

"1972", the second segment, is a story about Linda (Michelle Williams), an out lesbian in a group of budding young lesbian feminist college students, including her two best friends played by Natasha Lyonne and Nia Long.

Linda and her friends decide to visit the gay bar in town for some consolation and adventure, but find a surprising clash of cultural values, philosophy, and wardrobe there. Not fitting into that environment either, the group decides to leave — but Linda, enchanted and intrigued by the politically incorrect butch lesbian Amy (Chloe Sevigny), decides to stay. Linda finds herself falling for Amy, she must deal with the disapproval not only of society as a whole, but her own friends, who mock Amy for her appearance.

The final segment, "2000", introduces us to an affluent, middle aged lesbian couple in the process of trying to conceive a child. Ellen DeGeneres is hilarious and touching as Kal, the doting partner of Fran (Sharon Stone). This is a charming story of the agony, for two women, of not being able to bring about the intentional physical manifestation of love, a child, without outside intrusion/assistance.

Ellen is surprisingly good in the role of the supportive, non-child bearing spouse who would like nothing better than to get her partner pregnant. Stone is a goofy, screwball femmey lesbian that shines in her moments of grounding the couple and showing tenderness to her partner.

See original link to this article here.